The 5th edition of this open air exhibition has ‘invaded’ the streets of Como and will occupy them until November 6th. Streetscape’s aim is to ‘creatively redefine the urban landscape’ having invited established and emerging artists to create works that are site -specific – and the best, notwithstanding the hyperbole, are those that do seem to bear some relation to their background.
For example, the lofty nose of a wooden Pinocchio pointing out to the valleys and mountains from Piazza Cavour links the city to its natural setting and even carries references (points) to the wooden carvings of the Schignano Carnival in the Val D’Intelvi.
Or the barriers reducing access to the Portico of the Palazzo Broletto whose polychromatic shapes contrast with the monochromatic wartime beach defenses they mimic.
Streetscape offers a lot of fun in seeking out the different works across the city. Each work is accompanied by an explanation of the project and a brief biography of the artist – along with a handy map and pamphlet to guide your ongoing search.

Felipe Cardena – Piazza Volta
When I went out to track down the works, I was unable to locate all of them however I was soon aware that I was only one of many residents and visitors traipsing around town following this form of artistic treasure hunt.
Each item does seem to create a mental reaction that is not always necessarily positive. Unfortunately for me the work of Manuel Grosso in Piazza Martinelli seemed without impact maybe due to its uninspiring location (but who knows, that may well be the point it intends to make) whilst Diego Dutto’s fleshy plastic plant was in glorious contrast to the formality of its courtyard setting in the Museo Archeologico Paolo Giovio.

Emanuele Scilleri’s invitation to supplement his graffiti-inspired work in Piazzetta Pinchetti had scored an immediate result with the amateur addition of a cartoon ‘cazzo’. Even this understated piece has ironic touches as in the inclusion of the ‘Area Video sorvegliata’ sticker bottom left.

Diego Dutto – Museo Paolo Giovio
The decision to place Federico Unia’s futuristic urban landscape in the courtyard of the Pinacoteca Civile reminds visitors of the works of Como’s famous son Antonio Sant’Elia whose futuristic architectural drawings are on display at the gallery.
For me however my favourite installation is the series of panels hanging below the windows along the outside facade of the Teatro Sociale done by Giuseppe Veneziano. These witty works make reference to various forms of pictoral iconography and amongst those, my favourite is the playful and very much updated version of Vermeer’s ‘Girl with a Pearl Earring’. However I have not included an image of it below just so you get out to see it (and the numerous other panels) for yourselves. A few of the panels are however shown below.
All told, this is an engaging exhibition that makes great use of its particular urban setting – and the fact that I could not track down all the works offers me a great motive for trying again!




There are so many musical events taking place over the next two months in and around Como. Use 





There is a wide range of products on sale including fish and meat stalls, bakers, cheese and salumi as well as fruit and vegetables. It is colourful and lively and well worth a visit even if you are just passing through Como just to experience what food shopping should be about. One of its strengths is the range of stalls and the variety of price/quality options they represent.

























The Teatro Sociale in Como is proud to be the first Italian opera house to participate in the annual European Opera Days which this year are held from 6 – 8th May. Now in its tenth year, this initiative, organised by Brussels-based 
With the common theme of ‘Theatre of the World’ what do European Opera Days bring to Como? Primarily it brings a series of free events across a range of glorious locations involving musicians from local schools, colleges, the Music Conservatory, Teatro Sociale and other musical associations. The full program is 




How might visitors react to such shortcomings? Possibly with a shrug and a patronising ‘How quaint’ or more likely with a colourful expletive and considerable irritation. But let’s not end on a negative note. Fortunately Como can offer more accessible ecological alternatives to car or taxi as reported on our 






